Thursday, June 30, 2016
'MORPHOLOGY OF ARCHIVE - Connected Histories of Goa', Inaugural show of Museum of Goa curated by Sabitha T.P. and Lina Vincent
Goa, referred as Gomantak signifies a land similar to Paradise which is fertile and good waters has its mythical connection since Vedic times. From these references ‘Lord Parashurama’ shot an arrow into the Arabian Sea from the Western Ghats reclaiming the beautiful land of Gomant, thus becoming a significant character in the history of present day Goa. In the subsequent years Goa came under the rule of Mauryas, Kadambas, Chalukyas, Vijayanagar Empire and also the Sultan of Bijapur before it was conquered by the Portuguese. Considering the milestones and the chronology of historical events, Alfonso de Albuquerque has been one of the biggest names who influenced the land of Goa. Considering its geographical positioning, the water (Sea) becomes the major connecting element right from the mythological references of its creation, the trade links established by various rulers and the cultural associations it had for hundreds of years.
'Of Tides and Times...' created for the inaugural show of MoG, 'Morphology of Archive - Connected Histories of Goa' is a narrative panoramic composition with ‘Sea’ as a connecting element through the length of the work. The important characters associated with the history, mainly Parashurama and Albuquerque have been portrayed as major images linking chronology of the history. The reference image of Parashurama is been taken from a miniature styled unknown source and Albuquerque’s portraiture depicted in one of the Portuguese currency becomes another important reference material. Some of the important landmarks which remain as the testimony of the multi-faceted history of the region has been incorporated and become the linking elements for the panoramic composition.
Wednesday, June 22, 2016
Our urban neighborhood is full of faces; known and unknown. The significant issues associated to urban reality like identity, migration, adaptability, and transformation are part of this existence. The urban visual culture includes a large volume of cinema posters which are highly influential on our day-to-day life and also an appropriate metaphor for urban existence. The overlaid layers of images resulting in a constant alteration of identity and the element of abstraction they bring in as a natural occurrence are often intriguing and surreal. A further fragmentation and re-assembling of these images using the interlocking shapes, transforms the overall image of portraits into another level of thought-provoking visual experience.
Saturday, March 7, 2015
Recep Akar (Turkey)
Gerard Cairaschi (France)
Khalil Charif (Brazil)
Didier Feldman (France)
Francesca Fini (Italy)
Khaled Hafez (Egypt)
Mohammed Harb (Palestine)
Barbara Hertiman (Venezuela)
Francesca Llopis (Spain)
Lina Alejandra Pulido Barragán (Colombia)
John Sanborn (United States)
Ssm Idd (Germany)
Venugopal V.G. (India)
Around the Platter
“Food is our common ground, a universal
In a society which is
surging towards the globalization in every aspect, there are significant
transformations taking place in our consumer culture. As we are into
innovations in food-processing, our eating habits are redefined; with
genetically modified crops coming into the kitchen, there are a lot of debates
and discussions about the consequences and future food patterns. With the
increased gap between rural-urban lifestyles, the consumption of food is being
reduced from ritual to compulsion. Our urban community has developed into a
more cosmopolitan culture, which is influencing in our consumption methodology.
Around the Platter is an attempt to envisage these concerns using pictorial
sequences culminating with the idea of ‘feed the world’.
'Around the Platter' (still from the video) Stop Motion Animation 05.07 min
Around the Platter' (still from the video) Stop Motion Animation 05.07 min
Pls check the following link to view the video:
Around the Platter
“Food is our common ground, a universal experience.”
In a society which is surging towards the globalization in every aspect, there are significant transformations taking place in our consumer culture. As we are into innovations in food-processing, our eating habits are redefined; with genetically modified crops coming into the kitchen, there are a lot of debates and discussions about the consequences and future food patterns. With the increased gap between rural-urban lifestyles, the consumption of food is being reduced from ritual to compulsion. Our urban community has developed into a more cosmopolitan culture, which is influencing in our consumption methodology.
Around the Platter is an attempt to envisage these concerns using pictorial sequences culminating with the idea of ‘feed the world’.
|'Around the Platter' (still from the video) Stop Motion Animation 05.07 min|
|Around the Platter' (still from the video) Stop Motion Animation 05.07 min|
Pls check the following link to view the video:
The perception of the psychological space has intrigued artists from the beginning of time and each has found a particular way to deal with it. This has often taken the form of the psychological image of the sometimes non-objective reality of the sitter and his or her personality. It is about artists perceiving a particular state and articulating it through the medium of their choice. Ideally, in works of this nature the artist invites the viewer into the space of the work in which he or she plays the role of an intellectual and visual guide leading that viewer through the complexity of artistic creativity and the perceptions of the self. This is an exploration of the mental specifics of how the creative process deals with the notion of portraiture in general and the psychological portrait in particular. These explorations can take the form of narrative fantasies, illusions, aspects of the ‘other’, or even perceptions of specific attributes. There is an immense sense of mystery here, which it is hoped the artists in the show will explore in modes ranging from the poetic to the dark. Every artist and every sitter carries with them a certain amount of preconceived notions and prejudices. These psychological portraits will, hopefully, provoke a dialogue of exchange by articulating these visualized ideas. The aim of this exhibition is to express psychological biographies through creative imagery. This can be done by encrypting information about the sitter, sometimes intentionally and sometimes unconsciously creating works which are layered explorations of the self.
- Anirudh Chari
|Feature appeared in 'The Asian Age', New Delhi|
Saturday, September 6, 2014
Our journey started on the night of 28 June 2014 from Bangalore to Delhi by train and from there took an overnight HPTDC bus and reached Manali on the morning of 01 July. Since we had booked a taxi through phone before the departure, it was easy for us to find a decent, budget accommodation in Manali for the first two days and also plan the next one week programme with the help of the taxi driver.
|Misty hills at Manali|
|Mighty Beas River|
Before leaving to the long journey up the hills, we decided to see around Manali and get acclimatized to the weather conditions. The day was cloudy, misty and drizzling between. We visited the historic Vasisht Temple complex which is generally filled with tourists, most of posing for photos holding a pet Rabbit for Rs.10 which is a good business for local people…! Later we trekked up the hills to Jogni Falls which is around two kilometres away through the pine tree forest.
Post-lunch we saw the famous Hidimba and Ghatotkach Temples which are dedicated to the mythical characters of Mahabharata. Evenings spent in walking around the busy streets of Manali town.
|Devotees playing drums|
|Misty Morning at Manali, Water Colour on Paper|
Proceeded to Naggar, around 20 kms away from the town which is known for the Roerich House and Museum where the renowned Russian artist lived for many years and painted his celebrated Himalayan paintings. Later saw the Naggar castle, and a remote hamlet called Jana. The village has a lot of traditional houses with stone-block roofs and one of the oldest temple built with wood believed to be around 500 years old. We could also taste the local food at a Dhaba for lunch.
|Traditional Lunch in a dhaba at Jana Village|
|An ancient village temple with wooden construction|
|Stone roofing of village houses|
|A Panoramic View of Jana Village|
|Farm Land of Jana Village|
|'Clicks' at the Cliff|
|Old lady at Jana Village|
After Manali, our first destination was Keylong. We had to cross the tricky place called Rohtang Pass to continue anywhere towards Spiti. We planned to leave early in the morning, but the news we got in the previous evening about the landslide at Rohtang delayed our departure. The news in the morning was quite encouraging and our driver told we could start around 9am. The incessant rain generally makes the journey difficult at the Rohtang Pass with frequent traffic jams. We were quite lucky because it was just half an hour wait in the traffic at the peak…it was still raining and we could see a long queue of vehicles piled up on the opposite side. We didn’t stop at the pass because of rain and icy breeze.
|View from the Manali-Rohtang road|
|Traffic at Rohtang Pass|
|BRO workers helping a motorist on the waterlogged road|
After Rohtang the journey was quite easy on the Manali-Leh highway. Still it’s a tough road with the glacier water gushing down the hills and flowing on the roads making it difficult for the motorists. Our driver Mr.Jaipal was quite experienced with his Tata Sumo and familiar with the conditions. During the journey we could witness some of the most isolated places with each village having more than 15-20 kms distance in between. One such village was called Kurith with a population of just 30..! We reached Keylong by evening having wonderful sights of the mountains on the way. The evening spent with walk on the streets and tasting chowmien and ginger-lime tea.
|Street at Keylong|
|Refreshing Mint Tea|
Left Keylong early in the morning for a long journey to Kaza. We had to take the same road back up to Grampoo and take a diversion towards Kaza. The entire day was spent on the road with spectacular views and breath-taking landscapes all along the way. We have to cross the peak Kunzum Pass to reach Kaza, the capital of Spiti Valley and the road becomes even tougher from there. The journey was tiring with lots of short breaks and photo sessions in between. Reached Kaza in the evening; spent time in the local streets, market and went for a much needed rest.
|Tea Break at Batal Dhaba|
|Stupas at Kunzum Pass|
|Lossar Village woman with her Baby|
|Stupas at Kaza|
|Street at Kaza town|
It was a day to visit the Monasteries. In the morning started with Kaza Monastery within the town; it’s quite typical of any modern Buddhist Monastery with grand interiors and colourful Tanka paintings. Later proceeded to Kee Monastery, which is around 10 kms away from the Kaza town. Kee is one of the most famous and historic monastery situated at hilltop and visible from a long distance. It provides a spectacular view from all sides. Kibber village and monastery was the next which is further 10 kms away. It’s a typical Tibetan traditional village and colourful in its outlook, the houses are flat-roofed and situated on hills; the villagers mainly cultivate Potato and Peas.
|in front of Kaza Monastery|
|A colourful interior of Kaza Monastery|
|Intricate carvings on the door-handle|
|World's highest fuel station at Kaza|
|Wild flowers of Spiti|
|inside Kei Monastery|
|an old monk at Kei|
|Villagers at Kibber|
We returned to Kaza and post-lunch continued towards Tabo which is a very remote and isolated village having very less population. It has a historical importance for Tibetans mainly because of one of the oldest monasteries there. The Tabo Monastery dates back to
which is considered being very traditional in style, having unique in its
architecture built mainly with wood and mud. The interiors are full of
traditional paintings and sculptures based on Buddhist history. Almost the
entire walls and ceilings are covered with paintings; most of them are in
deteriorating stage, still it’s a must see place for those who are fascinated
in history and art and architecture.
|Evening light on snow-capped mountains|
|at the Ancient Meditating Caves of Tabo|
Left Tabo around 10 am after another visit to the monastery, and proceeded to Dhankar which is another historical monastery on the hilltop. It offers a picturesque view as we approach the place from a distance. It also houses a new monastery nearby.
|A spectacular view of the Dhankar Monastery|
|Stuffed and preserved body of a sheep at Dhankar|
|A prayer wheel|
|Carvings on the wooden pillars|
|Candle stands in Dhankar Monastery|
|New Monastery, Dhankar|
Travelled towards Lossar, a small village on the way back and stayed there for the convenience of our trek next day to Chandratal Lake. Evening spent with a visit to the local monastery and chat with local people who were very friendly in treating guests.
|Getting ready for a photo-shoot...!|
Early in the morning travelled to Kunzum pass which is 20kms away, where we were received by Tashi Tenzin, who was our trek guide along with his pet dog Bishu..! Started our trek at 8.30 am from Kunzum and walked on the hills all the way for 8kms to reach Chandratal. The journey was challenging as the hills were steep and slippery at times. There was a bright sunshine and cool breeze all the way and it was an outstanding view with mountains and glaciers all around. Our guide was narrating his experiences and the many stories about heroics of the security forces and the life on the Himalayas…! After a tiring walk, we reached Chandratal around 12.30 in the afternoon, spent time in relaxing, photo-ops and light lunch.
|Before the trek at Kunzum Pass with guide Tashi Tenzin and his pet Bishu|
|A shepherd hut|
|Bishu gets playful on the banks of Chandratal|
|at Chandratal Lake|
Left the lake around 2pm for another long walk in a different route to reach Batal, which was almost a 15kms trek. Although the route was comparatively easier, we had frequent stoppages in between with tea breaks at the local shepherd huts and chat. At the end of a very exhausted, yet productive day reached Batal around 6.30pm; stayed at the Tenzin couple’s dhaba-cum-homestay with hot tea, soup and dinner for our rescue. The night was quite chilling with temperature dipping.
|A long walk back....|
|Negotiating with rocks, glacier water and cold breeze....|
|A wild horse grazing|
|With Tenzin Couple at their Batal Dhaba|
The Himalayan sojourn was at its last stage; we said goodbye to Mr. & Mrs. Tenzin and continued the journey back towards Manali. On the way, the weather was clear. We had a good time at Rohtang Pass. The sun was shining bright; there was no hint of rain, just a cold breeze. The roads were free with hardly few vehicles. The snow cover at the peak provided us good opportunity for photo-session and fun.
Reached Manali around 4pm; the town
was crowded as usual with tourists thronging at eateries and shopping centres.
We had another much needed rest for the night.
|'Bye, Bye' Spiti....!|
|View from Rohtang Pass|
|Tea Break at Rohtang Pass|
|Spotted a vulture on the Rohtang-Manali road|
Our journey back to Delhi was scheduled for the evening and we had half-a-day time with us. Visited Solang Valley for short time and returned to Manali town…Explored the afternoon with walks within the lanes and markets of Manali. Our bus left at 4.30pm for another long night journey back to Delhi.
Reached Delhi in the morning; we had the train Rajdhani Express scheduled to depart at 8.50pm from Nizamuddin to Bangalore. Reached Bangalore on 12th morning loaded with memories, stories and giga-bites of images.
Harish, Praveen, Umesh, Urmila