Thursday, June 30, 2016

'The Limited Edition' - Printmaking Workshop and Exhibition, Art Houz, Bangalore















'MORPHOLOGY OF ARCHIVE - Connected Histories of Goa', Inaugural show of Museum of Goa curated by Sabitha T.P. and Lina Vincent



Goa, referred as Gomantak signifies a land similar to Paradise which is fertile and good waters has its mythical connection since Vedic times. From these references ‘Lord Parashurama’ shot an arrow into the Arabian Sea from the Western Ghats reclaiming the beautiful land of Gomant, thus becoming a significant character in the history of present day Goa. In the subsequent years Goa came under the rule of Mauryas, Kadambas, Chalukyas, Vijayanagar Empire and also the Sultan of Bijapur before it was conquered by the Portuguese. Considering the milestones and the chronology of historical events, Alfonso de Albuquerque has been one of the biggest names who influenced the land of Goa. Considering its geographical positioning, the water (Sea) becomes the major connecting element right from the mythological references of its creation, the trade links established by various rulers and the cultural associations it had for hundreds of years.

'Of Tides and Times...' created for the inaugural show of MoG, 'Morphology of Archive - Connected Histories of Goa' is a narrative panoramic composition with ‘Sea’ as a connecting element through the length of the work. The important characters associated with the history, mainly Parashurama and Albuquerque have been portrayed as major images linking chronology of the history. The reference image of Parashurama is been taken from a miniature styled unknown source and Albuquerque’s portraiture depicted in one of the Portuguese currency becomes another important reference material. Some of the important landmarks which remain as the testimony of the multi-faceted history of the region has been incorporated and become the linking elements for the panoramic composition. 


Wednesday, June 22, 2016

'TWENTY for TWENTY', The Portret Project, New Delhi 2015

Our urban neighborhood is full of faces; known and unknown. The significant issues associated to urban reality like identity, migration, adaptability, and transformation are part of this existence. The urban visual culture includes a large volume of cinema posters which are highly influential on our day-to-day life and also an appropriate metaphor for urban existence. The overlaid layers of images resulting in a constant alteration of identity and the element of abstraction they bring in as a natural occurrence are often intriguing and surreal. A further fragmentation and re-assembling of these images using the interlocking shapes, transforms the overall image of portraits into another level of thought-provoking visual experience.